2003 News Archive

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  Date Time Subject 10th July 2003 19:00:17 MOTH Meeting today with Miguel Mera, Composer, to go through the score for the film. We've been working with Miguel since late last year and we've been able to develop the score for the film throughout this time. It's been an excellent relationship that has enabled us to work directly with the proposed music for the film in the edit, rather than the usual temp track route. The score has progressed very nicely and is nearing completion. Today we went through the film and Miguel will be making adjustments to the score ahead of a meeting with the sound editors, next week. We also met with Matt Twyford, Visual Effects Supervisor, to discuss the pre-visual effects that we should receive throughout this month. All of the visual effects have been broken down into their individual components and each now has its own unique VFX number. Some shots may get dropped as the VFX work progresses and the pre-visuals are cut back into the film, others will be adjusted as they are assessed within the film as a whole.

  Date Time Subject 9th July 2003 18:15:02 MOTH We were back at Shepperton Studios again today, the first time since we wrapped production of "Moth" at the end of February. Today we met with Robin O'Donoghue, Sound Re-recording mixer and Head of Post Production at Shepperton. Robin will be mixing "Moth" and today was an opportunity for us to meet ahead of the sound edit work which is just beginning and to sound out availability of the facilities at Shepperton in the early Autumn.

  Date Time Subject 8th July 2003 22:17:56 AN ORDINARY GOD Meeting at BAFTA today with Clifton Stewart the writer of our feature script, "An Ordinary God". We're meeting Screen East next week to discuss this script with them. Today's meeting was all about the next stage of development ahead of this meeting.

  Date Time Subject 1st July 2003 21:58:23 MOTH After previewing three versions of the cut to various selected audiences, we've digested, cogitated and deliberated their feedback. The result is that we've now locked the picture on "Moth". We are also delighted to have our sound design team in place, Killian Fitzgerald and Peter Woolisf-Croft have joined the production and work on the sound edit will now begin in earnest. Matt Twyford (Visual Effects Supervisor) has been given all the VFX shots in QuickTime format. These will be used to create pre-visuals of all the effects which will then be cut back into the film. Once these shots are approved the negative will be released and the VFX shots will be completed at film resolution. Over the next few weeks Miguel Mera (Composer) will be fine tuning the score for the film.